The young singer Rokia Traore from Mali has recently become African music’s brightest rising star, soon to join the likes of Youssou N’Dour and Salif Keita among the ranks of world music’s best-known names. Wanita, her second album, confirms that her reputation is well deserved,...
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The young singer Rokia Traore from Mali has recently become African music’s brightest rising star, soon to join the likes of Youssou N’Dour and Salif Keita among the ranks of world music’s best-known names. Wanita, her second album, confirms that her reputation is well deserved, showcasing her soulful, intimate voice on a collection of lilting acoustic songs, the overall sound being reminiscent in places of Tracy Chapman. On her new album, WANITA, the use of indigenous instruments, including the balafon (xylophone), kora and lute-like ngoni gives the album a deeply traditional feel and apart from one song in French, "Chateau de Sable", she sings in Banaman, one of Mali’s many tongues. Yet many of her songs deal with contemporary subjects, several of them, including "Mouso Niyalen" and "Mancipera", with the role of women in modern African society. One of the best African albums of the new century so far.-- from Rough Guide / World Music: Volume 1
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